| Movie "Rendition" |  |
Nothing ordinary about “Rendition”
A new movie about the controversial practice of "extraordinary rendition" may be more educational than entertaining, but that doesn't make it any less important
By Hesham Hassaballa, October 24, 2007

"Extraordinary rendition," "torture," "civil rights," "national security." Though these are words that are bandied around in the news and popular consciousness a lot these days, they are also faceless, shapeless concepts that are difficult to fully understand. Yes, they may receive brief media attention from time to time, but they almost always fade from public consciousness. As the television journalist in the film "Hotel Rwanda" (played by Joaquin Phoenix) said, "people will say 'That's terrible' and then go on eating their dinners." The same could be said with our government's terrible excesses of its prosecution of the "war on terror."
Enter the film "Rendition," released by New Line Cinema October 19th. "Rendition" is the story of an Egyptian-born Muslim, Anwar El Ibrahimi (played by Omar Metwalli) who is detained by the CIA after a suicide bombing somewhere in North Africa (unintentionally) claims the life of the local CIA station chief. El Ibrahimi, a permanent U.S. resident married to an American woman (played by Reese Witherspoon) and living the American Dream in suburban Chicago, is linked to phone calls to a known terrorist overseas believed to be behind the terrorist attack (which, incidentally targeted a local chief of police, not Americans). El Ibrahimi could not explain the phone calls, and thus the CIA counter-terrorism chief (played by Meryl Streep) tells the interrogator to "put him on the plane."
El Ibrahimi is then sent to said North African country where he is tortured brutally by his Arab interrogators, because, as Streep says in the film, "The United States does not torture." The acting station chief, played by Jake Gyllenhaal, is sent to observe the interrogation, but eventually cannot stomach what is being done, and he orders him released and flown back to the United States. The story is actually more complex than that, but then again, so is the story of terrorism, religious extremism, and the tension between national security and civil liberties, which the film captures quite well.
Of course, no film about the Middle East is complete without young men shouting "Allahu-akbar," but radical Islam is almost an afterthought in the film. It would have been a little easier to watch if this was portrayed as a completely fictional scenario, but "extraordinary rendition" is an actual practice of our government (can you say " Maher Arar"?). That this could happen to anyone makes the film all the more disturbing.
"Rendition" happens to be one of the best researched Hollywood films about the Middle East in recent memory. True, there is a risk of audiences coming away from the film thinking that Arabs are nothing but brutal torturers, with a side commentary of female oppression in Arab society seemingly forced into the film. But there is nothing this film depicts that is not actually occurring in the Middle East today, which is truly sad.
Although it is heartening to see such a "pro-Muslim" film to come out of Hollywood, this movie doesn't appear to be made with Muslims in mind. Rather, this movie is an indictment against our government's apparent sanction of torture and the practice of "extraordinary rendition," the victims of which are almost always Muslims. The film can help audiences understand what it feels like to be detained without charge and access to counsel, as well as giving them a firsthand look at the brutality of torture. It is much more powerful than any newspaper article about the practice could ever be, and the release of the film could not be more timely.
Which is precisely the point. Hollywood has an enormous impact on the American public psyche and consciousness, and the film industry can play a very constructive role in helping to educate society about what is happening in the world around it. Although no one wants someone else's version of morality forced upon them - Hollywood's sexual morality, for example - there are things that are universally accepted as wrong: genocide, torture, slavery, and the like. A well-made feature film can go a long way to help make these concepts become "flesh."
Despite some of the negative reviews "Rendition" has received, it remains an important film. Just as "Hotel Rwanda" helped show audiences the horror of what happened in that country (and the world's indifference), "Rendition" helps us understand the insult to American values that "extraordinary rendition" truly is. The film also raises a number of questions, which any good film should do. Is the suicide bomber the only terrorist? What motivates someone to become a terrorist? Does torture work?
"Rendition" reminds us that Benjamin Franklin's famous statement still remains relevant today: "Those who would give up essential liberty to purchase a little temporary safety deserve neither liberty nor safety."
Hesham A. Hassaballa is a Chicago physician and writer. He is the co-author of "The Beliefnet Guide to Islam," published by Doubleday in 2006. His blog is at godfaithpen.com.
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unfortunately this movie has tanked so badly at the box office that most movie executives will probably avoid sympathetic left leaning persepctives on the war on terror like the plague from here on forward. they should have had jake gyllenhal track down and shoot some terrorists so atleast the general message would get out there......
- Posted by Kaz on October 25, 2007 at 11:29 AM
This Kaz is right! I was in the movies last week and wanted to go see this movie. But then I thought why encourage these guys by paying my money to that movie and instead went and saw 'The Kingdom'! :-) Funny huh? But then I am a 'Jewish fanatic'as one guy calls me here, and what else would you expect of me!?
- Posted by Weisskopf on October 25, 2007 at 05:01 PM
Not a better incentive to see the movie than the comments above. Thanks.
- Posted by MarkThrice on October 26, 2007 at 08:14 AM
"Of course, no film about the Middle East is complete without young men shouting "Allahu-akbar," but radical Islam is almost an afterthought in the film."
-Right, cause people never shout the takbeer in the Arab world... I respect Dr. Hassaballa a lot, and often read his blog, but I disagree with many of his chracterizations of the state of Muslim Arab societies. His comments about Wafa Sultan missed the mark, in my humble opinion. The above quote also shows that he may be out of touch with life in the 'arab street,' where the takbeer is omnipresent.
- Posted by Jakey (USA) on October 26, 2007 at 11:05 AM
Well, we in the US are traditionaly ashamed of our actions, AFTER THE FACT. i think thats whats happening as we americans learn about our govt's actions against innocent people whether americans or others.
It has happened with US inaction while Hitler and his Nazi goons were rounding up and sending european jews in 1930s to their deaths just because we had strong anti-semitic sentiment here in the US. And then, right after pearl harbor attack in 1941 by the japs, we rounded up fellow Americans of japanese ethnicity, in concentration camps during WWII.
Its my opinion that unless we change our attitude re muslims and muslim countries in US, our anti-muslim sentiment and our military attacks on muslim countries may come back to haunt us in different and deadly ways that we have not had the temerity to imagine yet.
Muslims that I have known from many countries e.g afganistan, pakistan, india,and the mideast arabs seem to sow seeds of hate&revenge; in underground mosques and at home and, and do not seem to be the type that forgive&forget; as easily as the buddhist vietnamese did after nam...
- Posted by georwash on December 20, 2007 at 10:40 AM
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altmuslim this week - august 23, 2010 - This week, is there a connection between the heated rhetoric over Park51 and increased hate crimes against Muslims? Also, parallel struggles against anti-Muslim protests in Bradford, England and the innovation (and integration) on display in the 30 Mosques, 30 States and 30 Nights, 30 Grants projects.
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